Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Pompeo Batoni
Portrait of Paul I of Russia

ID: 79606

Pompeo Batoni Portrait of Paul I of Russia
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Pompeo Batoni Portrait of Paul I of Russia


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Pompeo Batoni

Italian 1708-1787 Pompeo Batoni Location Italian painter and draughtsman. In his day he was the most celebrated painter in Rome and one of the most famous in Europe. For nearly half a century he recorded the visits to Rome of international travellers on the GRAND TOUR in portraits that remain among the most memorable artistic accomplishments of the period. He was equally gifted as a history painter, and his religious and mythological paintings were sought after by the greatest princes of Europe.  Related Paintings of Pompeo Batoni :. | Portrait of Jose Monino, 1st Count of Floridablanca | Cupid P and thread off the wedding | Holy Family with St. Elizabeth, Zechariah, and the infant St. John the Baptist | Reported good news | Susanna and the old man |
Related Artists:
Ernst Sigismund Kirchbach
painted The Forge of Vulcan in between 1869 and 1875
Olga Wisinger-Florian
Austria born 1844 - died 1926 was an Austrian impressionist painter, mainly of landscapes and flower still lifes. She was a notable representative of Austrian Mood Impressionism. Having trained as a concert pianist, Wisinger-Florian switched to painting in the mid-1870s. She was a student of Melchior Fritsch, August Schaeffer, and Emil Jakob Schindler. From 1881 she regularly showed paintings at the annual exhibitions mounted at the artist's house and later often showed at Vienna Secession exhibitions. Work she showed at the Paris and Chicago international exhibitions earned her worldwide acclaim. The artist, who was also active in the middle-class women's movements of the time, was awarded numerous distinctions and prizes. Wisinger-Florian's early paintings can be assigned to what is known as Austrian Mood Impressionism. In her landscape paintings she adopted Schindler's sublime approach to nature. The motifs she employed, such as views of tree-lined avenues, gardens and fields, were strongly reminiscent of her teacher's work. After breaking with Schindler in 1884, however, the artist went her own way. Her conception of landscape became more realistic.
louvre
R.F.1948-36 M.N






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